The Domagnano eagle brooch at the Louvre Abu Dhabi, Francesco Bini (Sailko), Wikimedia Commons, CC BY-SA 4.0.
In October 1893 gold and garnet jewellery came out of the ground on Vito Serafini's land at Domagnano in San Marino. Made around AD 500 for a wealthy Ostrogothic woman, it was quickly sold to dealers and is now split between Nuremberg, London, Abu Dhabi and New York.
In October 1893 something remarkable came out of the ground near the farmhouse called Lagucci at Domagnano, one of the nine historic districts of the tiny republic of San Marino. The land belonged to Vito Serafini. The records do not say who actually dug the jewellery up, or exactly how, and nobody supervised the recovery. It was probably not a buried hoard at all but the contents of one or more rich graves.
The Germanisches Nationalmuseum in Nuremberg counts 21 pieces of gold set with red almandine garnets and pearls. The finest are a pair of eagle-shaped brooches about 12 cm long. The one in Nuremberg is 22-carat gold, weighs 128.44 g, and was built from 246 tiny gold cells, 187 of which still hold their inlays. It has blue lapis lazuli at the wing tips and a cross on the breast. The Louvre Abu Dhabi, which owns the other eagle, says its garnets came from Gujarat in India. With them were earrings, necklace pendants, a brooch shaped like a cicada, a hairpin, a ring, fittings from a knife sheath, and two mounts with Christian symbols.
The jewellery dates to about AD 500, when the Ostrogoths ruled Italy under Theodoric the Great from Ravenna, some 70 km away. The owner is thought to have been a Gothic noblewoman from Theodoric's circle. The pair of eagles was probably worn at the shoulders, joined by a chain to fasten a cloak.
Within months, Serafini had sold most of the pieces to the Milan dealer G. Sambon, keeping a few for himself. The treasure was split up. Nuremberg bought its pieces through a Mainz dealer in 1898 and 1903, and the British Museum bought its group from Sambon in 1933 with help from the Art Fund. For decades the London pieces were labelled the "Cesena Treasure", until the archaeologist Volker Bierbrauer showed in 1973 that they came from Domagnano. Today the treasure is divided between Nuremberg, the British Museum, the Louvre Abu Dhabi and the Metropolitan Museum of Art in New York, which has one pendant.
Written for Global Finds from the Germanisches Nationalmuseum, the Louvre Abu Dhabi, the Metropolitan Museum of Art, the Art Fund and Bierbrauer in Germania (1973). Photo: the Domagnano eagle brooch at the Louvre Abu Dhabi, Francesco Bini (Sailko), Wikimedia Commons, CC BY-SA 4.0.
Those four are for England and Wales, where the Portable Antiquities Scheme records finds and the Treasure Act decides what must be reported.
Scotland runs its own system, and every find is reportable there — not only treasure. Treasure Trove Unit ›
The Republic of Ireland is different again, and severely so. Searching for archaeological objects without the Minister’s written consent is a criminal offence carrying fines or imprisonment, and the definition is broad enough to cover coins, buttons and buckles of almost any age. Do not assume British rules travel with you. The law, from the National Museum ›
Northern Ireland is stricter still. The Treasure Act applies and finds go to National Museums NI within fourteen days, but any searching that involves digging — metal detecting expressly included — needs a licence, and licences are only granted for archaeological projects. National Museums NI ›
This site covers discoveries from all over the world, and so does the variation in the law — from a recording scheme that thanks you, to a criminal offence. Wherever you are searching, find out what applies there before you go, not after.