The 'Tara' Brooch in the National Museum of Ireland, Sailko, Wikimedia Commons, CC BY 3.0.
In 1850 a brooch of gilded silver, gold filigree, glass and amber came to light near Bettystown in County Meath. A Dublin jeweller named it after Tara to sell copies, and the true findspot is still uncertain.
In 1850 an elaborate brooch came to light near the sea at Bettystown, County Meath. The story told at the time was that a local woman's child had found it in a box in the sand on the beach. Many historians now think it was really found inland, and that the family changed the story to keep it from being claimed by the landowner. The finder's name is not recorded.
The brooch reportedly passed through dealers in Drogheda to the Dublin jewellers Waterhouse & Co., who called it the Tara Brooch. It had nothing to do with the Hill of Tara, seat of the ancient high kings, about 25 kilometres away: the name was chosen to sell the copies of it that the firm made. Waterhouse showed it at the Great Exhibition in London in 1851, in Dublin in 1853 and in Paris in 1855, and Queen Victoria bought copies. Scholars still often put the name in quotation marks.
It is made of cast and gilded silver and decorated on both faces. The front carries panels of extremely fine gold filigree, with animals and abstract patterns, separated by studs of glass, enamel and amber. The back, which would have been hidden against the wearer's cloak, is decorated almost as richly, with scrolls and spirals. A plaited silver chain hangs from a swivel framed by animal heads and two tiny cast-glass human heads. The National Museum of Ireland dates it to the 8th century AD, and scholars place it around 700, close in date to the Hunterston Brooch from Scotland and the Lindisfarne Gospels.
Some of the work is so fine that it can only be appreciated with magnification. Several of the small panels and studs have been lost since 1850.
The brooch was acquired by the Royal Irish Academy and passed to the National Museum of Ireland in 1890. It is on display in the Treasury at the museum on Kildare Street in Dublin.
Written for Global Finds from the National Museum of Ireland, the Victoria and Albert Museum and other published accounts. Photo: the 'Tara' Brooch in the National Museum of Ireland, Sailko, Wikimedia Commons, CC BY 3.0.
Those four are for England and Wales, where the Portable Antiquities Scheme records finds and the Treasure Act decides what must be reported.
Scotland runs its own system, and every find is reportable there — not only treasure. Treasure Trove Unit ›
The Republic of Ireland is different again, and severely so. Searching for archaeological objects without the Minister’s written consent is a criminal offence carrying fines or imprisonment, and the definition is broad enough to cover coins, buttons and buckles of almost any age. Do not assume British rules travel with you. The law, from the National Museum ›
Northern Ireland is stricter still. The Treasure Act applies and finds go to National Museums NI within fourteen days, but any searching that involves digging — metal detecting expressly included — needs a licence, and licences are only granted for archaeological projects. National Museums NI ›
This site covers discoveries from all over the world, and so does the variation in the law — from a recording scheme that thanks you, to a criminal offence. Wherever you are searching, find out what applies there before you go, not after.