The Muisca raft in the Museo del Oro, Bogotá, Mariordo (Mario Roberto Durán Ortiz), Wikimedia Commons, CC BY-SA 4.0.
In 1969 a farmworker found a small gold model of a raft carrying a chief and his attendants in a cave above Pasca, near Bogotá. It brings to life the ceremony behind the legend of El Dorado, and it is the most famous object in Colombia's Gold Museum.
In 1969, Cruz María Dimaté, a farmworker from Pasca, a village in the mountains south of Bogotá in Colombia, found a small gold object in a cave on La Campana hill. With it were a second gold figure, in the shape of a litter, and two pottery vessels. The local parish priest, Jaime Hincapié Santamaría, helped the Museo del Oro, Colombia's Gold Museum, to acquire it. People in Pasca still argue about exactly which cave it came from.
The object is a model of a raft, about 20 centimetres long, carrying eleven figures. In the centre stands a chief, larger than the rest, wearing a headdress and nose and ear ornaments. Around him are two large masked figures holding rattles, two seated figures holding poporos, the gourds used for lime when chewing coca, and six small attendants. The whole scene was cast in a single piece by the lost-wax method, in tumbaga, an alloy of gold, silver and copper. It was made by the Muisca people, who lived in the highlands around Bogotá, as a tunjo, an offering to be placed in a sacred place.
The raft is famous because it seems to show the ceremony behind the legend of El Dorado, the golden man. According to a Spanish chronicle written in 1636, when a new Muisca ruler took power he was covered in gold dust and rowed out on a raft into the middle of Lake Guatavita, where he and his companions threw gold and emeralds into the water as offerings. The legend drew generations of treasure hunters to Colombia, and attempts to drain Lake Guatavita. A similar gold raft found in 1856 during an attempt to drain another lake, Siecha, was lost in a fire on its way to a museum in Germany.
The Gold Museum dates the raft to between AD 600 and 1600. In 2021, researchers radiocarbon-dated charcoal left from the clay mould in its crevices, and found it was made between about 1295 and 1410.
The Muisca raft is the centrepiece of the Museo del Oro in Bogotá, where it is displayed on its own in a darkened room, above a surface like still water.
Written for Global Finds from J. P. Uribe-Villegas, M. Martinón-Torres and J. S. Quintero-Guzmán's study of the raft (Dumbarton Oaks, 2021) and the Museo del Oro. Photo: the Muisca raft in the Museo del Oro, Bogotá, Mariordo (Mario Roberto Durán Ortiz), Wikimedia Commons, CC BY-SA 4.0.
Those four are for England and Wales, where the Portable Antiquities Scheme records finds and the Treasure Act decides what must be reported.
Scotland runs its own system, and every find is reportable there — not only treasure. Treasure Trove Unit ›
The Republic of Ireland is different again, and severely so. Searching for archaeological objects without the Minister’s written consent is a criminal offence carrying fines or imprisonment, and the definition is broad enough to cover coins, buttons and buckles of almost any age. Do not assume British rules travel with you. The law, from the National Museum ›
Northern Ireland is stricter still. The Treasure Act applies and finds go to National Museums NI within fourteen days, but any searching that involves digging — metal detecting expressly included — needs a licence, and licences are only granted for archaeological projects. National Museums NI ›
This site covers discoveries from all over the world, and so does the variation in the law — from a recording scheme that thanks you, to a criminal offence. Wherever you are searching, find out what applies there before you go, not after.