Another fragment of a medieval monumental brass, a head found in West Yorkshire, not the Ingham brass, Amy Downes, West Yorkshire Archaeology Advisory Service, Portable Antiquities Scheme, Wikimedia Commons, CC BY-SA 4.0.
Stephen Wells, who travels from Alaska every year to detect in Norfolk, found a piece of engraved brass in a field near Holy Trinity Church, Ingham. It was part of a 15th-century monumental brass showing a tonsured priest, and he gave it to Norwich Castle Museum.
For about ten years, Stephen Wells has travelled from Alaska once a year to detect in Norfolk. On one trip, searching a field near Holy Trinity Church at Ingham, in the north-east of the county, he dug up a flat piece of engraved brass. Nobody, including the landowner, knew what it was. Wells had it recorded, and it turned out to be a fragment of a monumental brass.
Monumental brasses were engraved sheets of brass set into tomb covers and church floors, showing the dead with their coats of arms and inscriptions. The Ingham fragment shows a face and the top of a head with the shaved crown, or tonsure, of a priest, and it has been dated to the 15th century. The Diocese of Norwich describes it as potentially unique. Countless brasses were torn up and sold as scrap metal, and Ingham lost its own: a famous series of seven brasses to the Stapleton family was sold for the value of the metal around 1800. How this fragment reached the field is not known.
Its findspot makes it especially interesting. Holy Trinity was once the church of a priory of Trinitarians, a religious order founded in 1198 to ransom Christians taken captive during the Crusades. The priory was founded in 1360 by Sir Miles Stapleton, one of the founding Knights of the Garter. "Ingham can be seen as a status symbol of his position in society," said Tim Pestell, senior curator of archaeology at Norwich Castle. Ingham was the last of England's ten Trinitarian houses to be founded, and the only one with buildings still standing. Its church, shared by the priory and the parish, carried on as the parish church after the priory closed around 1536.
Wells contacted the Monumental Brass Society, but for a year the fragment hung on his wall in Alaska. On his next visit, the Ingham parishioner Mark Newstead helped persuade him that it belonged in a museum, and he has now given it to Norwich Castle Museum and Art Gallery. "It's your history, not mine," he said, "and you should have it on your wall."
Written for Global Finds from the Diocese of Norwich (2026), quoting the finder, Tim Pestell of Norwich Castle Museum and Mark Newstead, and the Church Monuments Society (Badham, 2006). Photo: another fragment of a medieval monumental brass, a head found in West Yorkshire, not the Ingham brass, Amy Downes, West Yorkshire Archaeology Advisory Service, Portable Antiquities Scheme, Wikimedia Commons, CC BY-SA 4.0.
Those four are for England and Wales, where the Portable Antiquities Scheme records finds and the Treasure Act decides what must be reported.
Scotland runs its own system, and every find is reportable there — not only treasure. Treasure Trove Unit ›
The Republic of Ireland is different again, and severely so. Searching for archaeological objects without the Minister’s written consent is a criminal offence carrying fines or imprisonment, and the definition is broad enough to cover coins, buttons and buckles of almost any age. Do not assume British rules travel with you. The law, from the National Museum ›
Northern Ireland is stricter still. The Treasure Act applies and finds go to National Museums NI within fourteen days, but any searching that involves digging — metal detecting expressly included — needs a licence, and licences are only granted for archaeological projects. National Museums NI ›
This site covers discoveries from all over the world, and so does the variation in the law — from a recording scheme that thanks you, to a criminal offence. Wherever you are searching, find out what applies there before you go, not after.